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Art News

Writing About Art

One of the reasons I don't often write much about other people's art is that sometimes I can look at a work and have NO CLUE why the particular piece was composed but I like it. Often it doesn't occur to me to wonder about the story behind the artwork unless it is obviously a statement of some sort. It may be the color, it might be the way a certain technique was employed that draws toward a work of art. It might be how it makes me, the viewer, feel. It could be any number of things that captures my attention and draws me to a particular piece of art. But why the artist did what she or he did is not something that is always immediately apparent.

Indeed one of the things I am asked quite frequently about my own art is, 'Why' and to them I always say what the art says to you is far more important than any meaning I could attach to it for you.

This is why I was so glad to run across this article in the Wall Street Journal on the Lost Art of Writing About Art. Do check it out.

Photographers Rights

One of the things heard being discussed around the fine art and photography gallery I work with, is what photographers can and cannot photograph.

Here's a scenario: You are out strolling around, photographing interesting stuff. You come across a terrific landscape that has a complete stranger in it. Without that person's silhouette in the composition, you have no terrific photo. What do you do? Go ahead and take the picture?  And if you do,  do you need the person's permission order to print or sell the photograph?

I've always thought not and in asking around, I've found that ideas and opinions about this vary greatly. So off I went in search of some conclusive answers for myself. In fact, there are, surprisingly, very few restrictions on what and who can be photographed in the public view.

At this point though, I need to make you perfectly aware that although I'm devastatingly savvy, awesomely bright, and a talented writer, I'm not not a lawyer and none of this is legal advice.

A lot of this information was gleaned from attorney Bert P. Krages‘ website, which was chockfull of terrific and useful information about copyright, photography and art law and bunches of other useful stuff. There's even a downloadable PDF called the Photographers Right that covers quick access to your rights and obligations concerning confrontations over photography all in a handy-dandy flyer. So remember! If you have a legal issue, get in touch with a lawyer, not me or 12 12 Gallery

Continue reading "Photographers Rights" »

JAFAP

JAFAP= Just Another Fucking Art Project

My fiend friend Morgaine and I agreed to make some art everyday since we are both kinda plunking along for various reasons. The idea is to just start creating something everyday or as close to it as we can manage.

So here is my offering for today.

Homageweb_2
Homage to the Full Moon
10" x 11.5"
found images, pattern, Prismacolor
Art Journal Collage
Krishanna (c) 2008


Calling All Artists & Photographers!!!!!

Manchester National Juried Fine Arts Exhibition

Deadline (Postmark): Friday, February 8, 2008

12 12 Gallery is pleased to announce an open call to artists and photographers for its second annual Manchester National Juried Fine Art Exhibition.      

Artists age 18+, working in 2D and 3D any medium, in the United States and Canada may submit up to 10 slides or digital files of work to be considered for the exhibition. The exhibition will be curated by N. Elizabeth Schlatter, Deputy Director and Curator of Exhibitions, University of Richmond Museums, and will award over $1000 in cash prizes. 

N. Elizabeth Schlatter,  has curated more than 20 exhibitions, including the recent exhibition “Leaded”, and of work by Andreas Feininger, Hans Friedrich Grohs, and Fiona Ross. As an independent curator and writer, Ms. Schlatter has organized exhibitions for contemporary art spaces in the mid-Atlantic region, and has authored several articles and essays for Focus and Photovision magazines, the National Women in the Arts Bulletin, and the American National Biography (Oxford University Press), among others. She is also author of the on-line publication “Become An Art Curator.” Prior to working at the University of Richmond she was an exhibitions project director for the Smithsonian Institution Traveling Exhibition Service (SITES) in Washington, D.C.  You can submit your work online, download the Prospectus and a printable entry form or get  more information about submitting work for this exhibition by visiting the Call for Entries page on the 12 12 Gallery website.

Holy Cow!

311xinlinegalleryHONDO, N.M.- Renowned artist from New Mexico, Luis Jimenez, died Tuesday while working on a sculpture for Denver International Airport. when a piece of sculpture - a part of the 32-foot-tall rearing mustang - disengaged from a hoist and fell, fatally injuring him. The accident happened as Jimenez, 65, used the hoist to move a section of the gigantic fiberglass sculpture, "Mustang." The piece came loose and hit Jimenez, pinning him against a steel support beam, reported the Denver Post.

Jimenez was often controversial because he crafted sculptures that touched on hot political topics, reported CBC. Luis Jimenez's work can be found in numerous public and private collections including The Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; The Hirshhorn Museum and The National Museum of American Art, Washington, D.C.; The Art Institute of Chicago, IL; and The Rockefeller Foundation.

Jimenez is survived by his wife and children Elisa Jimenez of New York; and Luis Adan Jimenez, Juan Orion Jimenez and Sarah Alicia Xochil Jimenez, all of Hondo; a brother, David Jimenez of Hondo and a sister, Irene Branson of El Paso.

Source: ArtDaily
For full story: Chron.com- Houston
Photo Credit: Jack Parson; Museum of New Mexico Press

Frida Kahlo painting sells for $5.6 million, setting record

New York.– A painting by Mexican artist Frida Kahlo entitled "Raices" (Roots) broke the sales record for a Latin American work of art, selling for $5.6 million at a Sotheby's auction here.

The buyer, whose identity was not disclosed, made his or her winning bid by telephone.

Kahlo The painting - 30 x 40 centimeters (12 x 16 inches) - depicts the artist reclining in a barren and rocky landscape. From her torso emerge roots which burrow into the ground through which her blood flows.

Kahlo completed the work in 1943 after marrying the love of her life - Mexican muralist Diego Rivera - for the second time after several years of separation and suffering.

The painting had remained in a U.S. collection for almost 20 years and was exhibited most recently in 2005 at a Kahlo retrospective at London's Tate Modern Art Museum.

The previous record for a Latin American art sale was set in 2000, when a buyer paid $5 million for "Autorretrato" (Self Portrait), also by Kahlo, who died in 1954, at another Sotheby's auction.

Earlier on Wednesday, at a Christie's auction here, Colombian artist Fernando Botero set a new record for living Latin American artists with the sale of one of his paintings for $2 million, while Cuba's Wilfredo Lam broke his own sales record when one of his works moved for $1.3 million.

Botero's 1979 work "Los musicos" was bought Tuesday for $2.03 million, including commissions, by a U.S. art dealer bidding by telephone at Christie's Latin American art auction.

The sale not only breaks the artist's previous record of $1.5 million, which he achieved in 1992 with the sale of "La Casa de las Gemelas Arias," painted in 1973, but also keeps Botero in the top price spot at auction among living Latin American artists.

Lam's enigmatic drawing "Sin titulo" (1944) was acquired by an institution for $1.3 million, far above the work's estimated value of $800,000.

Lam also broke his previous $1.2 million record for a drawing or sketch, which he achieved in 1998 with the sale of his 1943 work "La mañana verde." His auction sale price record for a painting is $1.3 million.

The drawing shows a feminine figure merging with plantations of tobacco and sugar and holding a knife that is flashing in the tropical light.

Mexican painter Rufino Tamayo's work also stood out at the auction, with "Naturaleza muerta con dominos" (1931), an oil on canvas which had been part of a European collection, selling for $531,200.

The work is a still life with symbolic and metaphysical overtones showing two blue light bulbs, several dominoes and a bicycle wheel.

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